My Top 10 Albums of the 00s

This past summer I was invited to contribute to the site PopMatters in compiling a list of the Top 100 Albums of the 00s. The idea being that with time and distance to reflect on the past decade of music, this list would represent the albums that have held up in the years since and isn’t simply a quick reaction.

I was asked to submit my Top 10 albums of the decade to be considered for the master list. Out of my selections, at least two of them were selected for inclusion, which I then wrote a blurb for (#2 & #3 on my list).

When I first started this blog, I wanted to write about music in addition to my other interests which I haven’t gotten around to but this seemed like a good place to start.

Here is my personal list of the Top 10 Albums of the 00s.

#1

From a Basement on the Hill by Elliott Smith

  

Because your candle burns too bright

Well, I almost forgot it was twilight 
Even if I think that you are right
Well, I'm tired of being down, I got no fight

Figure 8 receives more attention, as it was Smith’s final release before his untimely death and for many, the gateway album to the artist’s back catalog. However, From a Basement on the Hill is the punctuation mark on a career cut far too short and left a haunting final impression of a misunderstood genius. Gone are the sweeping orchestral instrumentation that his major label efforts afforded. This is Smith back to basics and quite possibly his rawest. It may require a few spins to take this one in but it is beyond worth it. Opening with the polarizing Coast to Coast and concluding with A Distorted Reality is Now a Necessity to be Free (which sounds like the best song The Beatles never wrote), Basement is a masterpiece from start to finish. Songs like King’s Crossing hint at a bold new direction of experimentation while Twilight is so real and honest that it’s almost hard to listen to but too beautiful not to. Prolific to the end, Smith originally intended Basement as a double album, and while the castoff tracks are worthy of being sought out, the ones compiled here are amongst his greatest and cement his status as one of the greatest songwriters of his, or any, generation.

PopMatters Ranking: #63

#2

Extraordinary Machine by Fiona Apple

If there was a better way to go then it would find me
I can't help it, the road just rolls out behind me

Be kind to me, or treat me mean

I'll make the most of it, I'm an extraordinary machine

The only album Fiona Apple would release during this decade, Extraordinary Machine was received by a fervent fan base after having been long delayed. What they got was essentially take two, after some unreleased tracks from initial producer Jon Brion were leaked before being re-recorded. Either version would have been fit for inclusion on this list and Extraordinary Machine makes you wish Apple would cut a new album more often than once or twice a decade (if we’re lucky). At least you can be assured that when she has amassed enough songs that she deems worthy of releasing that they’re going to pack an emotional punch. Everything about this album is completely methodical from the confessional lyrics on Not About Love to the deliberate sour notes in O’ Sailor, and you can almost hear her heart breaking on Oh Well. It’s obvious a lot of preparation and thought went into each track yet it still managed to capture a spontaneous energy as if Apple only had enough studio time to record each track in one take and whatever came out of those sessions is what we got. Not only does it stand out for sounding like nothing else released in the 2000’s, it’s also a welcome departure from Apple’s previous releases, showcasing her ability to reinvent her sound and continue to evolve without betraying who she is as a person and as one of the best singer/songwriters of her generation.

PopMatters Ranking: #11

#3

King James Version by Harvey Danger

Time passes, events fall away
(I don't think they'll hurry)

Hurry up, I'm blacking out, 

High on the vapor 

Cause I was the typo, 

You were the liquid paper

The sophomore album is challenging for any band looking to exceed expectations and that was no different for Harvey Danger. Riding high off the massive success of that song, it was a question of whether or not they could maintain that momentum while continuing to build upon a solid foundation. Despite a noble effort, King James Version fell through the cracks, not only failing to recapture their debut album’s mass audience, but essentially fading from existence as quickly as it landed with the mainstream having decided that Harvey Danger had worn out their welcome, thus sentencing them to “one-hit wonder” status. In retrospect, they did exactly what a band is supposed to do for its follow up. They one-upped their song writing with biting lyrics offering thought-provoking entertainment value all their own (singer Sean Nelson remains one of the most criminally underrated lyricists alive), not to mention killer hooks courtesy of irreplaceable bassist Aaron Huffman, not afraid to lead the melody. The so-called “alternative rock band” even managed to sneak a piano ballad in there, highlighting guitarist Jeff Lin’s classical training, while also serving as a good primer for their (as of now) final album Little By Little, hinting at the direction their music would take. In essence, Harvey Danger is everything you think they’re not and King James Version is definitive proof of that.

PopMatters Ranking: #73

#4

Veckatimest by Grizzly Bear

While you wait for the others t
to make it all worthwhile

all your useless pretentions

are weighing on my time

Released in the final months of the 00s, Veckatimest was my first introduction to the Brooklyn based quartet known as Grizzly Bear. The group was quickly added to my regular rotation as I absorbed the hauntingly beautiful melodies and cryptic, yet minimalist, lyrics that encompassed their sound. From the up tempo opener Southern Point to the stripped down and somber piano ballad Foreground which rounds out the album, the group takes us on a musical journey quite unlike any other I experienced that decade. Every song has its own distinct flavor; the bouncy piano of Two Weeks, the soaring vocal harmonies of While You Wait For The Others and Ready, Able is an acid trip for the ears (and eyes if you watch the stop motion music video). A handful of these songs also appear in the film Blue Valentine, which the group wrote the score for, and considering the deterioration of the relationship onscreen, this album is perfect breakup music. It’s not happy music, but it permeates the soul. In my humble opinion, if Radiohead announced the shift in the decade’s musical landscape with Kid A, then Grizzly Bear finished that thought with Veckatimest.

#5

Gimme Fiction by Spoon

The beast and dragon, adored
You been gone so long

Where you been for so long

I went to places unknown

Of all their albums, Gimme Fiction is quintessential Spoon. It does not get much better than this in terms of what this band is capable of with their entire prowess on full display. Whereas Spoon are masters at producing catchy hooks and bouncy melodies, there’s some added weight to these songs that reveal a moodier side that suits the band just as easily as the tambourine shaking Sister Jack. No other group today incorporates piano into the mix quite like this one, eliciting an ominous, almost dangerous quality on such songs as The Two Sides of Monsieur Valentine and The Beast and Dragon, Adored not to mention the pounding groove of My Mathematical Mind. Never has bass playing complimented the piano quite like this either, standing out as the MVP instrument on multiple tracks. They’re clearly having fun here experimenting with their sound while not overhauling it either and in doing so they crafted some of the best tracks of their career. In nearly a decade since its release, Spoon have come close to the artistic heights of Gimme Fiction but have yet to top it. It’s a hard act to follow for them or any band who may attempt to occupy the same space as Spoon so clearly dominate.

PopMatters Ranking: Spoon's  Ga Ga Ga Ga Ga landed at #95

#6

Elephant by The White Stripes

Don't want to hear about it
Every single one's got a story to tell

Everyone knows about it

From the Queen of England to the hounds of hell

Jack and Meg White’s fourth album took both their fans and the critics by storm delivering their most polished and ambitious album at that point. While both Get Behind Me Satan and Icky Thump, which followed, are worthy albums in their own right, they failed to top the duo’s masterpiece, Elephant. The White Stripes remains my favorite of the “The” bands that burst onto the scene during the first half of the decade (The Strokes included) and rightly catapulted frontman Jack White to rock star status. If there’s one song that defines the band, it is undoubtedly Seven Nation Army, which is so deceptively simple in its catchy and instantly familiar melody, it’s practically a contemporary blues standard by now. And that’s just track one. The Stripes straddle the line between delivering straightforward garage rock and slower ballads, such as In The Cold, Cold Night, where Meg steps out from behind the drums to take lead vocals. It was a gamble as she is not the strongest singer but it shows that they were not afraid to branch out and shake things up from song to song. The White Stripes are probably never coming back, but with what they’ve given us here, it’s hard to complain that they owe us anything more.

PopMatters Ranking: #33

#7

I’m Wide Awake It’s Morning by Bright Eyes

If you walk away, I'll walk away
First tell me which road you will take

I don't want to risk our paths crossing some day

So you walk that way, I'll walk this way

One of two albums released by Bright Eyes in 2005 (the other being the electronic inflected Digital Ash In A Digital Urn), this album was the clear favorite among fans. Digital Ash… was practically an experiment just to showcase how versatile the group’s members are but the music on I’m Wide Awake It’s Morning is clearly what kind of music they were born to make. The folk inspired sound incorporated slide guitars, mandolin, and even guest vocals from country legend Emmylou Harris. The result was a collection of timeless songs that sound like they were written by a world-weary traveler as opposed to a guy from Omaha in his mid-20s. Conor Oberst’s wears his influences on his sleeve from Townes Van Zandt to Leonard Cohen and it’s fitting that one track is titled Old Soul Song as I can’t think of a more fitting description for someone that would create this music than an old soul. The album’s songs range from the stripped down Lua which is simply a man and his acoustic guitar singing confessional lyrics softly, reminding us of Oberst’s humble beginnings making home recordings on a four track cassette recorder in his parent’s basement, but then ends triumphantly in a chaotic burst of horns blaring as he screams the album title at the top of his lungs on Road to Joy. It feels like a celebration of life and that’s what this album represents.

PopMatters Ranking: #40

#8

Hazards of Love by The Decemberists

With this long last rush of air
We'll speak our vows in starry whisper

And when the waves came crashing down

He closed his eyes and softly kissed her

Out of all the artists represented here, The Decemberists were the ones I had the most difficult time selecting which album would best represent them. Her Majesty was my gateway with its instantly accessible melodies, and The Crane Wife is a perfect work of art but Hazards of Love still manages to one up it. Continuing on with the Portland based group’s exploration into gapless concept albums, Hazards of Love is something special that can only be described as beautiful. As with The Crane Wife, it paints a picture, drawing in the listener in only the way a great storyteller can. As with Bright Eyes’ Conor Oberst, who sings “I could have been a famous singer if I had someone else’s voice,” the group’s leader Colin Meloy does not have a traditional polished voice but it suits the style of music to a T with his distinctive singing. But Meloy is not the only one responsible for the group’s unique sound as the group is the sum of its parts consisting of several talented multi-instrumentalists. Put simply, this album deserves you full attention and cannot be listened to in segments as it is one hour long song that as soon as it ends you’ll want to hit repeat and experience again and again.

PopMatters Ranking: The Decemberist's The Crane Wife was selected at #86

#9

Our Love to Admire by Interpol

Wait, and you froze in the night
You're late, there's a hole in the sky

No haste, no lesson, no lie

Got a taste that I can't deny

It took me a few listens before I really GOT Interpol. I first saw them 10 years ago as part of The Cure’s Curiosa Festival as they were part of a lineup of hand picked bands to tour with The Cure which included such acts as The Rapture, Mogwai and Muse. I had no idea what to expect and hearing them for the first time in that environment didn’t inspire me to dig any deeper as I was still deep into my punk/ska phase from my high school days and was only just beginning to venture out in my tastes on the road to musical discovery. Five years later I gave Interpol’s Our Love to Admire another spin and I haven’t looked back since. So THIS is what I’d been missing out on. Paul Banks’ monotonous vocal range wasn’t trying to impress you, but was teeming with emotion regardless. Like Television before them, the band’s sound didn’t revolve around the vocals but the interplay between the guitars and heavy hitting rhythm section. Is Our Love To Admire better than the group’s freshman and sophomore albums that released earlier in the decade? It’s worthy of debate, but for me this is the album that opened my eyes to what Interpol had to offer and for that, it scores a place on the list.

PopMatters Ranking: Interpol's Turn on the Bright Lights ranked #27

#10

Black Holes and Revelations by Muse

No one’s gonna take me alive

The time has come to make things right

You and I must fight for out rights

You and I must fight to survive

When I lived in LA, Muse got a lot of radio play on KROQ. I mean a LOT. To the point where I was sick of them. But then I noticed something. I wasn’t switching the station. In fact I was starting to turn it up. And then after awhile I was singing along at the top of my lungs.

  

It was THE anthem of 2006 and it’s just as relevant now as it was then. Then I heard Starlight and it was all over. These guys were writing music that sounded like it was recorded on Mars. I couldn’t believe that this much sound could come from just three guys from England. Then I listened to the full album and was blown away. It was so powerful that it demanded repeat listens as you couldn’t absorb it all at once, there was too much going on at once. It bares mentioning that the follow up album The Resistance deserves to go in this slot just as much for its ambition and scope (not to mention its 1984 references) but Black Holes and Revelations edges it out simply because it was such a turning point for the band.

I put a lot of thought into this list and I started off with a list of about 100 albums or so before trimming it down to the final 10. Here’s a few other worthy albums that were considered and are still insanely listenable:

Funeral by Arcade Fire

Songs for the Deaf by Queens of the Stone Age

Figure 8 by Elliott Smith

Miike Snow (self titled)

Reservoir by Fanfarlo

The Life Pursuit by Belle & Sebastian

Armchair Apocrypha by Andrew Bird

Farm by Dinosaur Jr.

Microcastle by Deerhunter

Illinois by Sufjan Stevens

For Emma Forever Ago by Bon Iver

Z by My Morning Jacket

Bring Me Your Love by City and Colour

Rubber Factory by The Black Keys

Untitled by Wintersleep

The Moon & Antarctica by Modest Mouse

Consolers of the Lonely by The Ranconteurs

Horehound by The Dead Weather

The Flying Club Cup by Beirut

Kid A by Radiohead

In Rainbows by Radiohead

Basically anything by Radiohead.

Gotham Recap

Anyone who knows me knows I'm a Batman fan for life. So the premiere of Gotham topped my list of most anticipated TV events of the year. In preparation, I blew through the acclaimed comic series Gotham Central by two of my favorite comic scribes, Ed Brubaker and Greg Rucka. Like most translations to screen of Batman's world, Gotham is not a direct adaptation of this work, but it should definitely provide inspiration for the series which focuses on Gotham's major crimes division.

I don't expect Gotham to fulfill all of my expectations, but I decided to put a list together on Forces of Geek that laid out what I'd like to see from the series.

I also collected my thoughts here on the pilot episode and will begin reviewing each episode going forward.

What did you think of Gotham? Did the pilot impress you enough to stick around? Leave a comment and let me know!

Or not. It's a free internet.

Community: How the Internet, Arrested Development Fans, & Geek Culture Saved Greendale

After NBC Britta’d on renewing Community for a sixth season, it’s safe to say the internet reacted something like…

After season 5, everything seemed to be going so well… why the sudden Chang of heart, NBC?

But then, just when it looked as if we had entered the Darkest Timeline, Greendale was saved!

I know. What else could possibly be said about the close call cancellation of Community that hasn't already been said? 

Really, I just wanted to have a place to collect all my favorite Community GIFs and fan art. Man, Community fans are the best. We’ll get into that soon.

Ok sure, it's not like it had gone off the air years ago and we’ll now see an Arrested Development style revival. It will return just as it would have had NBC decided to pick it up for its fated sixth season. Fans of the show know what I'm talking about as the hashtag #sixseasonsandamovie has become something of a rallying cry since season 2. If Community’s longevity doesn’t demonstrate the power of a hashtag, nothing else will.

There’s even a Community-inspired twitter profile with over 20K followers with the handle @envirodale that if you were to tweet using the hashtag #sixseasonsandamovie they will tweet a Community quote back at you within minutes every time without fail. That’s dedication right there, which, as a fellow fan prone to obsessiveness, I can respect. They have no doubt already tweeted a quote that’s streets ahead at me by the time you’re reading this.

These kind of fan driven tactics to get Community trending were, for better or worse, a necessary measure to keep the show going. You see, Community has always been a show on the bubble of cancellation, which is what made it such a turbulent ride, never knowing from year to year if this would be its last. In a way it added to the experience, feeling like you’re part of a larger, uh, community, who also knew the significance of “Pop, Pop!” and what it meant to be a Human Being. 

It definitely made you feel like you were part of a more-or-less secret club, knowing there were others across the internet rooting for its return and making their voices heard.

Meanwhile Big Bang Theory gets renewed for 3 years. 

Talk about being safe. And that’s a key factor. Big Bang is a safe show with safe humor. Community didn’t always fit into people’s idea of what a network sitcom should be with the formulaic model of set up, punch line, laugh track, repeat. Sometimes there would even be jokes happening in the background as there were plot points happening in the foreground, and with no canned laughter, your casual viewer wasn’t sure what they should be laughing at. But that’s why Community succeeds with repeat viewings and those willing to pay closer attention than what is required of you from your average sitcom. Maybe that’s why comic book readers, a community who is obsessed with the details and pouring over minutiae, so readily accepted Community into their culture (we’ll get into that later as well).

When it was revealed that NBC wouldn’t be picking up Community for another go-round, Communies took to social media, tweeting at Netflix as a hail Mary to pull out another miracle and let the Greendale 7 (who’s keeping count anymore) live to see another season (and a movie), similar to how the online streaming service revived Arrested Development, but this seemed unlikely as the NBC series had an exclusive deal with Hulu. So perhaps Hulu could scoop up the show and add it to its slate of growing original content. But alas, that was not meant to be either. It looked like the Darkest Timeline was upon us, or at least that’s what everyone was tweeting in reaction to the news. And then, at the 11^th hour, seemingly out of nowhere, a beacon of hope, as on the final day of the actor’s contracts with Sony were to end, Dan Harmon tweeted a cryptic update with lyrics from a song featured in the finale of Breaking Bad and the hashtag that refuses to die, #sixseasonsandamovie. What could this mean?

An hour or so later, the news traveled faster than one of Dean Pelton’s costume changes that Yahoo! Screen picked up Community for its sixth season. This announcement was unexpected as fans had all but given up hope but it made so much sense. I had quickly become a fan of Yahoo’s original content after they began streaming episodes of Burning Love a couple summers ago, a Bachelor spoof featuring the who’s who of comedy stars dropping by with credits ranging from Party Down, The League, The State and Arrested Development. Despite Burning Love episodes getting aired by E! later on, the show was still under the radar so Community’s move to Yahoo was pretty perplexing to most fans. But I’m confident it’s in safe hands.

The move to Yahoo may be seen as a risk but Community was never a show afraid to take risks. Unlike other NBC comedies like The Office, which had the security of knowing that it was assured its timeslot, every season was a struggle for Community and the show and fans are both the better for it. The Office appeared to be willing to take risks in the beginning and at the time was very different from everything else on television, initially struggling in the ratings, but then steadily devolved into your average sitcom as it rose in popularity. As its audience grew, they improved the actor’s wardrobe and hair in a bid to pull in more viewers who were used to a more polished looking show (completely going against the intention of the original UK series). Signs that a show has jumped the shark are once you introduce marriage and babies and although the original Office never made it that far, with a nine season run it was inevitable that the stateside Office would introduce these ratings grabbing stunts. The “will-they-or-won’t-they” of Jim and Pam lasted a brief three seasons before they made it official and eventually tied the knot and had babies. Whereas what was initially set up as a similar relationship with Jeff and Britta was soon replaced by fuck buddies, further proof that Community was your non-typical network comedy that went against the grain.

Early on Community proved to be a master of parody. Never has a weekly sitcom perfected the art of spoofs better than Community since The Simpsons before it. Community however did not have the added benefit of Matt Groening’s brilliant idea to feature yellow skinned characters for newcomers to pause when channel surfing (do people even channel surf anymore?) and catch their attention although the cast of Community were no less colorful. That is unless you happen to catch an episode where the characters were animated in the style of an old Christmas themed TV special or literally animated into a G.I. Joe cartoon. That’s just the tip of the iceberg as Sergio Leone spaghetti westerns, Star Wars, Logan’s Run, The Hunger Games, Dungeons and Dragons, Zodiac, Law & Order, and even Dinner with Andre and Pulp Fiction within a single episode, were all paid tribute to.

Community is always willing to experiment, a reason why it was sometimes a hard show to crack for newcomers. In recent years it’s become a growing trend to wait for a popular series to wrap up and then binge watch it over a short span, fulfilling one’s desire for instant gratification and not having to invest years into a show. But those who may discover Community years from now will never know the emotional rollercoaster that it was to be a fan of the show as it was airing. Having Community be a part of our lives during the time it was alive has been half the enjoyment. And keeping the passion burning among the fans was an integral part of keeping it around as long as it has. A show like Community wouldn’t have stood a chance pre-internet, which is why the #sixseasonsandamovie hashtag was so essential to the show’s longevity.

It is kind of amazing it lasted 5 seasons on NBC to begin with, but as I once read somewhere on the internet (sorry for lack of credit, TV pundit) nobody wants to be the network exec that cancels the next Arrested Development.

And I couldn’t agree more. I’ve been championing Community as the spiritual successor to Arrested since I discovered it. At first I was met with some resistance, as there were some who claimed that Modern Family took up that mantle (I guess because it centers around a dysfunctional family?), but the similarities between the two shows are both undeniable and also fun to explore!

Let’s break it down -

Ensemble Cast – Ok, this is a bit of a stretch, but while the run-of-the-mill sitcom features 5-6 main players, Arrested and Community often juggle 10+ with a few more side characters to boot. Need more evidence? How about…

Callbacks – Your average sitcom produces episodes that are self-contained where you can tune in on any given night, get a few chuckles, and then perhaps catch it again someday on a flight or in your hotel room and hopefully elicit a few more laughs. Like pop music, they’re designed to be generic and easy to digest. Not that there’s anything wrong with that. But both Arrested and Community excel at the callback where viewers are rewarded for tuning in regularly and the re-watch value is high. There are so many running jokes in both series that there are even lists online created by eagle-eyed journalists for both Arrested and Community.

Directors - Another key ingredient to the success of Community are the Emmy winning Russo brothers. Joe and Anthony Russo refined their comedic directing style on Arrested Development beginning with the pilot and then were brought on to Community to not only direct its pilot but to act as exec producers as well, having proven themselves as integral to the success of Arrested Development. It was during their stay on Community that they got a chance to experiment with multiple genres as the series often spoofed various types of movies. This was their proving grounds which then led to them graduating to Captain America:  The Winter Soldier (featuring a cameo from Abed!). Even with their enormous success they’re still not too big to drop by their old stomping grounds and direct the premiere of season 6. Throw in Jay Chandrasekhar of Broken Lizard fame as a bonus director that carried over and you've got a solid stable of comedic directors with ties to Arrested.

Shared cast members - Having enlisted veteran Arrested Development directors, it was only a matter of time before some of the Bluth clan found their way to Greendale. Tony Hale, David Cross, Jerry Minor, John Michael Higgins, Rob Corddry, Jeff Garlin, Matt Walsh, Andy Dick, Ian Roberts, and Iqbal Theba all mixed it up with the Community ensemble in memorable supporting roles and it's a safe bet we haven't seen the last case of this. Most notably, Jay Johnston portrays a cop in both series. Either this guy is simply typecast or… could he be the one character that ties both universes together? BRAIN WRINKLED.

That, or it could just be a playful nod. I wouldn't put it past them either way.

Meta-ness - Community would often get meta using the school getting shut down as a metaphor to draw attention to the fact that they may end up getting cancelled. Arrested did the same thing, with narrator Ron Howard literally begging viewers to tell their friends to watch the show. I can’t recall any other shows that put out a not-so-subtle call to action within the show to fans to help save it whereupon the Save Our Bluths and Save Greendale campaigns were formed. Annie even suggests to her fellow study group members that they could all tweet the hashtag #SaveGreendale to help spread the word. Perhaps if twitter was more prevalent at the time, Arrested would have employed these tactics as well.

Burn Episodes - Both series experienced a disconcerting tactic where their respective networks “burned off” episodes at the end of a season, to clear the schedule for more American Idol or what have you. In the case of Arrested Development, this was its swan song, after FOX cut its third season short and burned off the final four episodes. One final marathon before we bid adieu to the Bluths. How fitting that fans would go on to marathon the show on Netflix years later. The same thing happened at the end of the third season of Community, and this, coupled with the fact that Harmon had been fired as showrunner from his own show, did not bode well. I was just as surprised as anyone when the show returned minus Harmon (as he IS Community) in a season best left forgotten.

The Showrunners Speaking of showrunners, the brains behind both respective shows obviously share a mutual respect. Both have taken turns guesting on each other’s shows, with Harmon popping up in a small cameo in Arrested’s 4^th season and Mitch Hurwitz more notably as party animal Koogler in Community’s 5^th. This pretty much sealed the deal for me as the passing of the torch.

However, maybe no torch has to pass…

Cancelled? – Cancellation has increasingly become a minor speed bump along the road for a TV series with cult status (Even The Tick is getting a second shot at life). The show must go on and like its spiritual successor Arrested Development, Community also refuses to die. Not only did Netflix come to Arrested Development’s rescue and deliver to us the highly publicized 4^th season of the beloved series, but recently the Chief Content Officer of Netflix said that a 5^th season was imminent which Gob Bluth himself confirmed. 

So while some Arrested Development fans may have adopted other shows to fill that void, for me it was Community.

Also, a little off topic, but I’d be remiss if I didn’t point out the…

Breaking Bad connection – Not only was the subtle way in which Harmon hinted at the return of the show a sly reference to Breaking Bad, but popular cast members popped up throughout including Giancarlo Esposito (Gus), Matt Jones (Badger), and most notably Jonathan Banks (Mike) who joined the cast last season as the resident curmudgeon to take the place of Chevy Chase’s departed Pierce. Breaking Bad’s creator, Vince Gilligan, even got in on the action with a western themed, video game inspired, guest spot that rivals Mitch Hurwitz for best showrunner-turned-comedic-actor on TV.

All they need now is for Bob Odenkirk to drop by for the hat trick who also guested on Arrested Development.

If it weren’t for the internet, Community would have lucky to have survived past 3 seasons, so in a way it only makes sense for it to resume on the platform that kept it alive. In a way it’s like its coming home.

As Entertainment Weekly stated in a recent piece on Community, this year marks the end of the television age of television. EW makes the case that the 4^th season of Arrested Development on Netflix was in essence the television equivalent of a concept album, like getting the band back together. While that’s a pretty good correlation to make, I also think comparing TV series to comics isn’t too hard of a stretch to make. Comics have a history of routinely being cancelled when sales are down only to be revived a few years later.

I have a theory that a lot of Community fans, like myself, are comic geeks helping to keep the show alive. I’m partly basing this on the ridiculous amount of fan art that’s out there which drops the cast into the roles of popular superheroes, plus it doesn’t hurt that Community shares a lot in common with comics in that they rely heavily on continuity and explore similar tropes like multi-verses and good vs. evil, etc. Geek culture in general seems to seep into the halls of Greendale on a regular basis with homages to Star Wars and Doctor Who. Sure, the cast of The Big Bang Theory may sport their Flash and Green Lantern t-shirts and visit a comic shop but if you compare the amount of comic book inspired fan art of Community with that of BBT using a quick Google search, it’s not even comparable. Big Bang may be the quintessential “geek” show of today as far as mainstream media is concerned, but it’s clear the fans have spoken.

Just like cancellation, death is a ubiquitous part of comics, and just as a series can reemerge within a year or two, so too can the fallen hero. Here we have a show where one of the core players, Chevy Chase’s Pierce, can be killed off, but if he were to somehow show up in the study room one day with an explanation about how his brain was transferred to a clone of himself he kept on standby, Community fans would not blink at this development. We’ve already seen evil doppelgangers from another dimension invade the school once, and so the idea of a Pierce from an alternate reality filling in for his deceased counterpart isn’t so far fetched. Perhaps a cameo in the movie is in order?

Sure, TV shows may not have the shelf life that long running comics do featuring characters with the uncanny ability to never age, but that’s probably for the best going by my 10 year rule for pop culture (don’t worry, that blog is much shorter). With that in mind, the question is, should it run past six seasons? As much as I didn’t want to see Community go and it’s a good feeling knowing it’s still out there, I also don’t want another Season 4 or worse, ending things on a sour note. It’s a fine line between a celebrated return and wearing out your welcome. While superhero comics go on and on and on, some of the best series, comic or TV, end on their own terms when the creators are ready to move on to a new project. Let’s hope that will be the case here.

After it was announced that Community had not been picked up by NBC for another season, I tweeted half-jokingly that the show could live on as a comic with art by Chip Zdarsky, of Sex Criminals and Applebee’s fame (who then favorited my tweet!). And if you haven’t picked up Sex Criminals, do yourself a favor. I can’t think of anything that has blended comedy and sci-fi this perfectly since, well, Community.

Art by Chip Zdarsky

While that would be fun and I would absolutely pick up a Community comic, I couldn’t be more pleased that the next stage of evolution for the show is to go where it truly belongs – on the internet. Production is set to start again on Nov. 17, and Harmon says the show will make its online debut sometime in the new year.

Yahoo released a trailer which is part tribute, part patting themselves on the back for saving the show but they can pat as hard as they want. Six seasons a movie!