Showing posts with label DC Comics. Show all posts
Showing posts with label DC Comics. Show all posts
Wednesday, September 24, 2014
Gotham Recap
Anyone who knows me knows I'm a Batman fan for life. So the premiere of Gotham topped my list of most anticipated TV events of the year. In preparation, I blew through the acclaimed comic series Gotham Central by two of my favorite comic scribes, Ed Brubaker and Greg Rucka. Like most translations to screen of Batman's world, Gotham is not a direct adaptation of this work, but it should definitely provide inspiration for the series which focuses on Gotham's major crimes division.
I don't expect Gotham to fulfill all of my expectations, but I decided to put a list together on Forces of Geek that laid out what I'd like to see from the series.
I also collected my thoughts here on the pilot episode and will begin reviewing each episode going forward.
What did you think of Gotham? Did the pilot impress you enough to stick around? Leave a comment and let me know!
Or not. It's a free internet.
Friday, August 1, 2014
Batman - Top 10 Artists
Continuing on from my round up of the Top 10 Best BatmanWriters, I pulled together my personal favorite Bat artists and did my best to
rank them based on skill, influence, with my own personal taste mixed in. Some
of them had long extended stays in Gotham while others dropped by a handful of
times but managed to leave a lasting impression. Having very limited drawing
skills myself, I am in awe of these masters at their craft and would gladly
pick up any book with their credit attached, no matter how poor the writing.
Anyway, enough with this intro, on to the list:
10) Marshall Rogers
Together with frequent collaborator Steve Englehart, Rogers contributed
to one of the best Joker stories of all time, The Laughing Fish. Under his pencil, the Joker never seemed more
menacing. Rogers hits the perfect balance of scary and humorous. This story has
stood the test of time and it’s in part due to the captivating imagery. One
thing that sticks out to me is when Rogers drew Batman, his cape seemingly had
a life of its own, very much emphasizing his bigger-than-life persona and
adding a sense of movement that you rarely see in comics. In addition, Rogers
teamed with comics legend Len Wein to reinterpret Batman’s foe Clayface.
Rogers’ run on Detective Comics is still looked back on as one of the all time
best and it’s easy to see why.
Notable Works: Strange Apparitions, Dark Detective
9) Dustin Nguyen
I initially discovered Dustin
Nguyen (like I discovered most artists on this list) through his Batman work
when he first collaborated with Paul Dini on their acclaimed Detective run. Nguyen's take on the
character was unlike any art I've ever seen in connection with Batman. The
closest comparison I could make is that of Mike Magnolia, but Dustin has a
style all his own. I especially loved Nguyen’s version of Hush, even better
than his character designer, Jim Lee’s take which is saying something. Nguyen
currently still resides in Gotham working on the Li’l Gotham series, and while those are fun, I like to think of chibi
versions of superheroes as being Scottie Young's area and I'd love to see
Dustin back on a regular Batman book soon. Bonus points for his awesome Batman Beyond covers.
Notable works: Heart of Hush, Hush Money, Lil’ Gotham
8) Tim Sale
Sale’s Batman truly embodies ‘creature of the night’ in
every way, as his version thrives on shadows and mood. You know how with iconic
movie characters it’s hard to imagine any other actor filling that role?
Similarly, it’s impossible to imagine any other artist working on such
masterpieces as The Long Halloween
and Dark Victory. Certainly, Sale’s
partner in crime, Jeph Loeb, deserves some of the credit, but it’s Sale’s
contributions that elevate these essential Bat stories to the top of the pack.
Not only do they showcase many of Batman’s colorful rogues gallery in
unforgettable renderings, but they also add great depth and humanity to the
characters of Bruce Wayne, Jim Gordon, Harvey Dent and Dick Grayson. By
illustrating their pain and suffering with subtlety and grace, oftentimes in
just a single image, Sale proves to be a master at his craft. He is the artist
Batman deserves. Let’s hope they reunite soon.
Notable Works: The Long Halloween, Dark Victory, Haunted Knight
7) Norm Breyfogle
Breyfogle’s take on Batman manages to stradle the line of
being both classic yet also his own style all at once. His run with Alan Grant
is a classic one that holds a special place for me since it introduced us to
the underrated Scarface and the Ventriloquist (I know I’m in the minority here).
Breyfogle also got in on the Knightfall saga, ensuring that the quality would
be up to snuff for such an earthshattering event. More recently, Breyfogle has returned
to Batman’s world in the Batman Beyond series, bringing his unique talents to
the Gotham of the future.
Notable Works: Detective
Comics #583-594 , Knightfall, Batman Beyond Unlimited
6) Jim Aparo
Following the lead of Neal Adams, Aparo’s style strived for
realistic interpretations of the Dark
Knight with a great attention to detail.
Although drawing inspiration from Adams, Aparo’s Batman was not a carbon copy and
soon branched out with a style all his own, often inking and even lettering his
own work. Aparo got his start on Batman with the classic Brave and the Bold series which he worked on for over a decade.
Once that series ended, it was replaced with another landmark series in
Batman’s history, Batman and the
Outsiders which he co-created. Aparo’s most notable contributions to Batman
would come later though as he contributed to some of the most impactful stories
in Batman’s history including Death in
the Family as well as Knightfall
creating such iconic imagery as Batman cradling Jason Todd’s limp body and Bane
breaking Batman’s back, respectively. Aparo certainly made his mark in Gotham
and Batman rarely looked better under anyone else’s pencil.
Notable Works: The Brave and the Bold, Death in the Family, Knightfall
5) David Mazzuchelli
Mazzuchelli doesn’t have a ton of Bat credits to his name,
but the one he does is enough to rank him on this list. His clean, crisp style
was a perfect fit for the retelling of Batman’s origin, spotlighting the Caped
Crusader’s shadowy persona while balancing emotional beats with cinematic
flair. Mazzuchelli reteams with his Daredevil collaborator, Frank Miller, who
sticks to writing duties on this one, giving his collaborator a chance to
shine. I can’t imagine if Miller had taken this one on as an artist. I think it
would have been good, but the art here is what elevates it to the status it has
attained in the years since. This story is worth picking up for the art alone
and there’s not much more praise you can lavish on an artist than that.
Notable Works: Year One
4) Greg Capullo
Prior to Capullo’s pairing with Snyder, I had yet to read a
comic featuring his art so my only
awareness of his style was his album cover
art. As good as that was, I could never have anticipated that he would rise so
quickly in the ranks to become one of my all time favorite Batman artists. Under
his skilled pencil, Batman looks as badass as, well, Capullo! Seriously, the
guy is a beast. What these guys have created together is an all-star run that
makes up some of the best comics on the shelves today and will no doubt be
pointed to for years to come as essential reading for any Bat fan. Snyder loves
to beat up Batman throughout and Capullo makes us feel his pain, reminding us
again and again there’s a human being under the cape and cowl. Batman is a stand
out series since the dawn of the New 52 and it’s in part thanks to the stellar
artwork from this guy. I’m now a fan for life and will happily seek out his
next project after Batman but hopefully that won’t be for a good, long while.
Notable Works: Court of Owls, Death in the Family, Zero
Year
3) Jim Lee
If this were a list of the top 10 X-Men artists, Lee would probably be
number one. He redefined the X-Men in the ’90s and then when he got his shot to
interpret Batman and his foes, it was like he'd been waiting to draw them his
whole life with so many iconic images coming out of his yearlong stint on the Hush arc. Writer Jeph Loeb, known for
writing epic ensemble pieces, managed to work numerous villains into the plot,
unleashing Lee's pencils on all the major villains. Lee would later team with
Frank Miller on All-Star Batman and Robin.
Miller at his most unfiltered combined with Lee’s mainstream style makes for
such a bizzare dichotomy that I’m still kind of amazed that this even happened.
This one has to be read to be believed is all I can say.
Notable Works: Hush, All-Star Batman and Robin
2) Frank Miller
Didn't we just cover this guy in
the writer's section? Well, in addition to altering Batman’s
personality,
Miller also slapped a new coat of paint on the look of DC's most popular superhero.
Miller's take on the suit has been so popular it's appeared in animation, video
games and even serves as the inspiration for Ben Affleck's version of that
character in the latest cinematic iteration. I mean this iteration has even
been spoofed on Tiny Toons, which
obviously is the measure for when you know you’ve made it. I’d go as far as to
say that Miller’s Batman is just as widely recognized today as the Adam West
version. Various panels and splash pages from his Dark Knight series have
become so iconic and widely circulated that they are now seared into my brain.
I’ve lost count of how many times Miller’s covers for the series have been paid
homage to year after year. Not only is Miller now a filmmaker and practically a
household name in his own right (thanks to his Sin City fame) he’s also got the ear and respect of one of the most
influential directors working today in Zach Snyder, who has ripped several
pages right out of Miller’s book for Batman’s upcoming trip to the big screen. How
much more influential can you get than that?
Notable Works: The Dark Knight Returns, The Dark Knight Strikes Again
1) Neal Adams
Often times when I picture Batman in my head, it’s the Neal
Adams version that comes to mind. It is so classic and timeless that another 75
years from now, I still think it will feel fresh and exciting. Adams’
contributions to the look of Batman are an important landmark in that his
unique take ushered in a new house style for Batman at that time, not only
revitalizing the character but also creating a new blueprint for the uniform
look of an iconic superhero. His Batman leapt from the page, crackling with
life and creating a new, dynamic energy rarely seen in comics at that time. In
addition, Adams was responsible for giving readers their first look at Ra’s Al
Ghul and Man-Bat, two very distinct and innovative character designs which were
conceived during the artist’s prime. Between his pencils and O’Neil’s writing,
they formed a dream team rarely seen in comics and set a high standard for
those following in their footsteps. His most recent stint on the character, Odyssey, proves that Adams has not lost
his touch and is still one of the best living artists today.
Notable Works: Daughter of the Demon, The Joker’s Five-Way Revenge, Odyssey
Honorable mentions - Bruce Timm and Alex Ross. While Timm defined the look of Batman for my
generation, simplifying his look for animation while still remaining iconic and
recognizable. Countless fans were introduced to the Dark Knight with this
iteration and the design has aged well over two decades later (has it been that
long?) Whereas Timm simplified Batman’s look, Ross took it in the complete
opposite direction, depicting Batman and his world as being photo-realistic on
countless covers and most notably in War
on Crime, his oversized comic one-shot with Paul Dini. His depiction of
Bruce Wayne in Kingdom Come
undoubtedly had an impact on both Batman
Beyond and The Dark Knight Rises.
Special shout out to cartoonists Matt Wagner and Darwyn Cooke who prove that Frank Miller isn’t the only one capable
of writing and drawing captivating Batman stories. Wagner helped redefine
Batman’s early days of crime fighting with the one two punch of Monster Men and Mad Monk plus his Two-Face story, Faces, shows early signs of brilliance. Cooke not only captured the
spirit of Batman in Ego, he left his
mark on Catwoman as well, flashing out one of Bats’ most notorious supporting
characters. Your Batman collection will not be complete without their
contributions lining your shelf.
That wraps it up. Did I miss your favorite Batman artist? Are
my rankings way off? Leave a comment and let me know!
Friday, May 16, 2014
Animated Batman Movie Rankings, Part 2: #5 - #1
Continuing
on from Part 1, here we count down the Top 5 animated Batman movies of all
time. Will my picks match up with yours? Read on an find out!
5) Batman and Mr. Freeze: Subzero
"Come
on people! A guy in a weird suit with two polar bears can’t be too hard to spot!" - Commissioner Gordon
My favorite trivia
about Subzero is that Warner pushed
back the release date to distance it from the disaster that was the campy
live-action Batman & Robin, a
movie so bad, it put the Batman movie franchise in hibernation for nearly a
decade. It was intended as a home video tie-in, but to avoid further
embarrassment that the cartoon Batman took itself more seriously than the big
budget bomb, it got delayed. Although the second animated Batman movie didn’t
surpass its predecessor (Mask of the
Phantasm), it’s still a worthy addition to the animated Bat library and
lives up to the standard set by the series it’s based on. Batman: The Animated
Series redefined Mr. Freeze with a sympathetic backstory, painting him as a
tragic villain, and Subzero advances
his story about a scientist determined to save his ailing wife by any means
necessary, even if it means taking an innocent life. Freeze’s co-headlining is
well earned, as this is primarily his story. Batman’s partners, Robin and Batgirl,
have their share of screen time as well, with a budding romance sparking out of
costume (Dick and Barbara are unaware of each other’s secret identities at this
point). Having a bigger budget to work with, many of the vehicles are computer
generated, but the CGI here doesn’t always blend seamlessly with the 2D
animation. It doesn’t distract from the story but it does date it a bit.
However, the runtime is a bit on the short side compared to other home video
releases, and would have benefited from more breathing room to incorporate more
character development for Freeze. Anyone who’s seen the classic episode “Heart
of Ice” already knows about his wife Nora and Freeze’s mission to save her, but
the movie could have used some flashbacks to fill in more backstory about their
relationship prior to that. Freeze’s crooked colleague, Dr. Belson, could have
used a little backstory to tie him into Freeze’s past as well. As it stands, Subzero is worth adding to your Batman
collection, but I would have traded the CGI for more story, which would have
added depth and making it feel more like a movie than a two-part episode.
Batman:
Kevin Conroy
Heroes:
Robin (Dick Grayson), Batgirl, Commissioner Jim Gordon
Villains:
Mr. Freeze
4) Batman: Under the Red Hood
“I’m cleaning up Gotham. More than you ever did.” – Red Hood
The comic
arc, Under the Red Hood, was
perfectly suited to be turned into a movie. What I love best about it is it's a
Batman movie made for Bat fans. Too often, superhero movies feel the need to
start at the beginning, rehashing the origin in order not to alienate casual
fans who have a basic understanding of the characters but aren't caught up to
speed with how they've developed over the years. Red Hood keeps Batman’s continuity intact, managing to tell its
story while also weaving in elements from classic stories like Death in the Family and The Killing Joke. Writer Judd Winick
does an excellent job of adapting his own work onto the screen, and knows what
needs to be cut in order to keep the story moving along at a good pace. This is
a prime example of how a comic story should be adapted where making those cuts
actually makes the end result stronger. Just like all the best Batman stories,
this one involves a mystery at its core – who is the Red Hood? The story
doesn’t leave a lot of room for speculation as to who the Red Hood is but while
the revelation rubs a lot of fans the wrong way, it does pack an emotional
punch. Bruce Greenwood brings a seasoned maturity to Batman and almost makes me
forget about Conroy, as he’s one of the best actors to portray the dark knight
in animation. The Joker factors in to
the plot, bringing the events that catapulted this storyline full circle.
Voiced by John DiMaggio (aka Futurama’s
Bender), this is one of my favorite interpretations of Joker yet. It’s a bit of
an amalgam of Mark Hamill’s iconic take with a dash of Heath Ledger mixed in.
Now that Hamill has supposedly retired from the role, I wouldn’t mind DiMaggio
voicing Joker on a more regular basis with future projects. He brings a dark
humorous edge to the role that Hamill perfected. The other major villain
featured is Black Mask. The way he’s been portrayed here is one of the movie’s
drawbacks as he just comes off as a raging hothead when the way he’s portrayed
in the comics is cold and calculating. In the comics I always imagined his
voice sounding similar to the way Jeffrey Combs portrayed The Scarecrow in the New Adventures of Batman series, which
was menacing because it was devoid of emotion. When I first heard Black Mask’s
voice in The Batman series, I was
pretty disappointed with the way he was depicted and hoped future versions
would tone him down a bit but if anything, they’ve taken it up a notch with his
outbursts. It doesn’t ruin the movie, but if the movie has a weak link, this is
it. Overall, the direction is top notch, with thrilling action scenes balanced
with great character moments. It is a solid entry into the animated Batman
library and set a new bar for all future releases.
Batman: Bruce Greenwood
Heroes: Nightwing, Robin (Jason Todd)
Villains: Red Hood, Joker, Black Mask, Ra’s Al Ghul,
Riddler, Amazo
3) Batman: The Dark Knight Returns
“In all the years to come, in your most private moments, I
want you to remember the one man who beat you!”
- Batman
While I said before
that Year One, while essential to the
Batman mythos, was a tad overrated, to me Miller’s The Dark Knight Returns is one of the greatest Batman stories ever
told. It does receive more credit than it deserves in regards to bringing Batman
back to his dark roots, but it has had an undeniable lasting impact on future
Batman scribes who have cited DKR as their one of their biggest inspirations
and will serve as a major influence on the upcoming Zach Snyder movie featuring
Batfleck.
But enough about its reputation, how does the movie stack up to the rest? As
far as adapting classic DC properties, this one nails it. This is the best
comic-to-screen DCU offering since Justice
League: The New Frontier in that it feels like a complete story and not
just focusing on the major beats. They were able to accomplish this by
splitting it up over two releases and leaving very little on the cutting room
floor. If they had treated it the way they did the Death of Superman story in Superman: Doomsday, they most likely
would have condensed all of the Two-Face and mutant gang stuff and just focused
solely on the showdowns with Joker and Superman, but by allowing the time and
care to do it right, it feels more lived in, taking the viewer on a journey. I
still remember the classic
animated episode, “Legends of the Dark Knight,” where they portray different
variations of Batman and one of them was a snippet of DKR and at the time I
thought, “how cool would it be if they made that into a movie?” It took a few
years, but it was worth the wait. Peter Weller (Robocop) is perfectly cast as the grizzled caped crusader coming
out of retirement. It was a smart choice because as much as Kevin Conroy’s
older interpretation of Bruce works for Batman
Beyond, Weller captures Miller’s Batman spot on. I enjoyed Michael Emerson
as a villain on Lost, and the guy can
play creepy, but he’s far from my favorite Joker. He’s not bad, he just doesn’t
steal scenes the way Joker should. While I think the DCU movies need to ease up
on adaptations and focus more on original content, if all future adaptations
are treated with this kind of respect, that’ll be a major step in the right
direction.
Batman: Peter Weller
Heroes: Robin (Carrie Kelley), Catwoman, Commissioner
Gordon, Superman
Villains: Joker, Mutant Leader, Two-Face, Superman
2) Batman Beyond: Return of the Joker
“If you don’t like the movie, I’ve got slides”
– The Joker
While it may not be
Bruce Wayne under the cowl, Batman
Beyond: Return of the Joker is a Batman movie through and through. Many,
like myself, scoffed at the idea of a teenage Batman, but who knew it would turn
out this good. Or dark. This is by far the bleakest Batman movie on the list, with
the flashback sequence alone earning it that label. If Batman Beyond was a completely separate entity from the original
animated series, it wouldn’t resonate with me as much, but this is a direct
continuation of the series, giving fans a look at what becomes of Bruce after
retiring from his vigilante days, and that’s what really drives it. Return of the Joker fills in more gaps,
especially in regards to Batman’s archenemy. One of the biggest questions
jumping forward in time was, “what happened to The Joker?” and this movie sets
out to answer that. The answer is both shocking and satisfactory. Mark Hamill
is back in the role he was born to play and although this version of Joker is a
little more toned down than usual, he’s still just as menacing as ever. The
Batman of this series, Terry McGinnis, at this point had carved out his own
path as Batman, but it’s with this movie that he takes the next step of not
simply filling Bruce’s shoes, but really honoring the legacy of the Batman. It’s
not really fair to compare Will Friedle’s Batman to Kevin Conroy as he’s not
voicing the same character, and because Conroy reprises his role as Bruce
Wayne, we don’t have to. Bruce’s former partners, Barbara Gordon and Tim Drake,
factor into the plot, keeping the supporting cast in the Bat family. In
addition to building a new mythology, the series had always touched on elements
from Bruce’s past before, but when it came to crafting a movie, the creative
team knew they would have to dig deeper to make it feel worthy of a movie, and
the scope of this does feel big. It’s a shame that we have yet to receive
another Batman Beyond movie as this
proved to be a major achievement and there are clearly many more stories to be
told. I’ve still got my Batman Beyond
spec script on file, so what are you waiting for WB, let’s fast track it!
Batman: Will Friedle
Heroes: Bruce Wayne, Commissioner Barbara Gordon, Batgirl,
Robin
Villains: The Joker, Harley Quinn, The Jokerz gang
1) Batman: Mask of the Phantasm
“Your
angel of death awaits.” – The
Phantasm
The benchmark. The first full length
animated Batman movie and so far only one that’s ever been released
theatrically. Therefore the one every subsequent movie is compared to. Not only
is Mask of the Phantasm the best
animated Batman movie ever made, it’s arguably the best Batman movie of all
time. It’s got all the elements that make for a good Batman story - mysterious
plot, intriguing villains, tragic love, and if that’s not enough, it’s got The
Joker piloting a jet pack. Spinning out of the best animated superhero show
ever (no debate), Phantasm benefited
from a dream creative team at the top of their game. The episodes of the show
have been described as “mini-movies,” bringing a size and scope to the small
screen unrivaled in animated programming at that time, and Phantasm builds on
that model, allowing for a little more breathing room to include some fantastic
flashbacks that not only provides additional insight into Bruce’s decision to
don the cape and cowl, but also ties in directly to the main plot in a
completely satisfying way. Others have come close, but no Batman movie since
has matched the pathos on display here. And did I mention The Joker was in this?
Yeah, he appears in half these movies, but I don’t think he’s utilized better
than he is here (Return of the Joker
being a very close second). The way he ties into the plot is one of the movie’s
major highlights and Mark Hamill is at his manic best, the perfect balancing
act between scary and funny. The story’s primary antagonist, the Phantasm
(loosely based on The Reaper from Year
Two), fits perfectly into Batman’s world and the mystery surrounding the
foe’s motivation makes for a cool twist. It really doesn’t get much better than
this, and in my eyes, it has yet to. If you’re a Batman fan and haven’t seen
this, stop reading, do yourself a favor and go watch this now.
Batman:
Kevin Conroy
Villains:
The Phantasm, Joker
There you have it. I
don’t claim this to be the definitive list, but that’s how I rank them. It’s
worth noting that the Joker appears prominently in 5 of the 10 movies and that
out of those, 4 ended up in my Top 5. Does Joker instantly increase the quality
of any Batman story, or is it just a coincidence? Either way, it doesn’t seem
to hurt.
As much as I enjoyed
comic-to-screen adaptations of The Dark
Knight Returns and Under the Red Hood,
it would be nice if the direct to video line of DC Universe Animated Original
Movies would live up to their name and actually be fully original content as
opposed to just adapting the most popular DC comic stories. I’m sure it’s only
just a matter of time before they adapt such classics as The Long Halloween, Knightfall,
Hush and the more recent Court of Owls story lines, and while
those are all fantastic tales of the dark knight, I really don’t want to
experience the abridged versions. The first release under this banner was Superman: Doomsday, a truncated reworking
of the Death of Superman arc. The
execution was pretty sloppy and what could have been Part 1 of an animated
trilogy, instead resulted in a stripped down version that didn’t do the story
justice and left fans wanting.
What I’m getting at
is if a comic storyline can’t be adapted into the strict 75 minute limit that
is imposed on these movies without making major sacrifices, come up with
something new that does work within that timeframe. How about it WB?
Having said that, I’m
looking forward to the upcoming release of Batman:
Assault on Arkham this summer, which tells an original tale set in the world of the Arkham video games and I will revisit this
list at that time to see where it slots in. Until then…
How do my rankings
compare to yours? Am I totally off base and you would have liked to see
something ranked higher on the list? Let me know!
Saturday, May 3, 2014
Colorist Appreciation Week Day 5 - Alex Sinclair
One of my all time favorite comic book artists is Jim Lee. Growing up on Marvel Comics in the 90's, I was introduced to his work through his groundbreaking run on X-Men. So it comes as no surprise that frequent collaborator Alex Sinclair has turned out to be one of my favorite colorists.
His stellar work on Batman: Hush alone is enough to earn my respect, as he was given the opportunity to color a good chunk of Batman's most notable rouges which, for me, have turned out to be some of the most iconic Batman imagery of the modern era. Simply put, this guy knows how to color Gotham City and its inhabitants just right.
Whereas some artists have a stylistically minimalist style that relies on moody shadows to fill in the backgrounds of their panels, Lee has also always been very detailed, which means he sometimes gets delayed, but in my opinion, always worth the wait. But it would all be wasted effort if Sinclair didn't know how to color it to emphasize every last pencil line (special shout out to Scott Williams for the inks!) and it really enhances the art in a way that I can only describe as awesome. To get even less technical, I love that glow effect he whips out every time Batman is at his computer in the cave. Like I said, if Lee's attention to detail didn't have a colorist that could match him panel for panel, it just wouldn't work. Sinclair would probably make a good DP as he has an amazing eye for lighting. Check out the above panel with Killer Croc to see what I mean.
His take on Superman is equally impressive in that it captures the Man of Steel's iconic colors the way they should look. I said in my original post that you can't picture Superman without his red cape and yellow chest emblem (although he's ditched the red shorts), and similar to how I suggested that Dean White colors the Marvel characters the way they were meant to be colored and should be referenced by all future colorists, the same can be said about Sinclair and the way he depicts the DC superheroes. See his work on the New 52 iteration of the Justice League if you don't believe me.
One of the series where I've been most taken with Sinclair's work is on the underrated Astro City. The reason I say underrated is, unfortunately, I don't hear this series come up on conversation enough as a must-read, but I think it's one of the best takes on superheroes that I've ever witnessed. But before this turns into a "Why Astro City Deserves More Recognition" rant, the coloring on this book is so consistently good! Furthermore, these are not heroes whose look had been defined for decades prior to Sinclair trying his hand at them so he's really able to make their look his own. I'm thrilled that when Vertigo revived the series, they they brought back the key creative players, including artist Brent Anderson, whose work I don't see nearly often enough, and if for whatever reason, Sinclair wasn't available to join the party, Astro City would have lost one of its key architects. The coloring on this series is some of the best I've ever seen and every color pops right off the page. In some ways it reminds me of Lynn Varley's work on The Dark Knight Strikes Again, another of the most colorful superhero books that I've ever laid eyes on.
If you've never read Astro City, do yourself a favor and pick it up. Come for the unique perspective on superheroes in a universe that's all its own, stay for the killer artwork and some of the most brilliant use of colors that you'll ever seen in a comic.
You can find more of Alex Sinclair's work here.
That's going to wrap it up for #ColoristAppreciationWeek. I enjoyed feasting my eyes on some incredible art and figuring out what I liked about each colorist best. Who are some of your favorite colorists? I'd love to know who else deserves a look so feel free to leave me a comment!
Until then, I leave you with this...
![]() | |
| Art by Jim Lee |
Whereas some artists have a stylistically minimalist style that relies on moody shadows to fill in the backgrounds of their panels, Lee has also always been very detailed, which means he sometimes gets delayed, but in my opinion, always worth the wait. But it would all be wasted effort if Sinclair didn't know how to color it to emphasize every last pencil line (special shout out to Scott Williams for the inks!) and it really enhances the art in a way that I can only describe as awesome. To get even less technical, I love that glow effect he whips out every time Batman is at his computer in the cave. Like I said, if Lee's attention to detail didn't have a colorist that could match him panel for panel, it just wouldn't work. Sinclair would probably make a good DP as he has an amazing eye for lighting. Check out the above panel with Killer Croc to see what I mean.
![]() |
| Art by Jim Lee, pencils to final colors |
![]() |
| Art by Jim Lee |
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| Art by Brent Anderson |
One of the series where I've been most taken with Sinclair's work is on the underrated Astro City. The reason I say underrated is, unfortunately, I don't hear this series come up on conversation enough as a must-read, but I think it's one of the best takes on superheroes that I've ever witnessed. But before this turns into a "Why Astro City Deserves More Recognition" rant, the coloring on this book is so consistently good! Furthermore, these are not heroes whose look had been defined for decades prior to Sinclair trying his hand at them so he's really able to make their look his own. I'm thrilled that when Vertigo revived the series, they they brought back the key creative players, including artist Brent Anderson, whose work I don't see nearly often enough, and if for whatever reason, Sinclair wasn't available to join the party, Astro City would have lost one of its key architects. The coloring on this series is some of the best I've ever seen and every color pops right off the page. In some ways it reminds me of Lynn Varley's work on The Dark Knight Strikes Again, another of the most colorful superhero books that I've ever laid eyes on.
If you've never read Astro City, do yourself a favor and pick it up. Come for the unique perspective on superheroes in a universe that's all its own, stay for the killer artwork and some of the most brilliant use of colors that you'll ever seen in a comic.
You can find more of Alex Sinclair's work here.
That's going to wrap it up for #ColoristAppreciationWeek. I enjoyed feasting my eyes on some incredible art and figuring out what I liked about each colorist best. Who are some of your favorite colorists? I'd love to know who else deserves a look so feel free to leave me a comment!
Until then, I leave you with this...
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| Once again, art by Jim Lee. This one hangs on my wall printed on canvas. Beautiful! |
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