Showing posts with label DC Comics. Show all posts
Showing posts with label DC Comics. Show all posts
Wednesday, September 24, 2014
Gotham Recap
Anyone who knows me knows I'm a Batman fan for life. So the premiere of Gotham topped my list of most anticipated TV events of the year. In preparation, I blew through the acclaimed comic series Gotham Central by two of my favorite comic scribes, Ed Brubaker and Greg Rucka. Like most translations to screen of Batman's world, Gotham is not a direct adaptation of this work, but it should definitely provide inspiration for the series which focuses on Gotham's major crimes division.
I don't expect Gotham to fulfill all of my expectations, but I decided to put a list together on Forces of Geek that laid out what I'd like to see from the series.
I also collected my thoughts here on the pilot episode and will begin reviewing each episode going forward.
What did you think of Gotham? Did the pilot impress you enough to stick around? Leave a comment and let me know!
Or not. It's a free internet.
Friday, August 1, 2014
Batman - Top 10 Artists
Continuing on from my round up of the Top 10 Best BatmanWriters, I pulled together my personal favorite Bat artists and did my best to
rank them based on skill, influence, with my own personal taste mixed in. Some
of them had long extended stays in Gotham while others dropped by a handful of
times but managed to leave a lasting impression. Having very limited drawing
skills myself, I am in awe of these masters at their craft and would gladly
pick up any book with their credit attached, no matter how poor the writing.
Anyway, enough with this intro, on to the list:
10) Marshall Rogers

Notable Works: Strange Apparitions, Dark Detective
9) Dustin Nguyen
I initially discovered Dustin
Nguyen (like I discovered most artists on this list) through his Batman work
when he first collaborated with Paul Dini on their acclaimed Detective run. Nguyen's take on the
character was unlike any art I've ever seen in connection with Batman. The
closest comparison I could make is that of Mike Magnolia, but Dustin has a
style all his own. I especially loved Nguyen’s version of Hush, even better
than his character designer, Jim Lee’s take which is saying something. Nguyen
currently still resides in Gotham working on the Li’l Gotham series, and while those are fun, I like to think of chibi
versions of superheroes as being Scottie Young's area and I'd love to see
Dustin back on a regular Batman book soon. Bonus points for his awesome Batman Beyond covers.
Notable works: Heart of Hush, Hush Money, Lil’ Gotham
8) Tim Sale
Sale’s Batman truly embodies ‘creature of the night’ in
every way, as his version thrives on shadows and mood. You know how with iconic
movie characters it’s hard to imagine any other actor filling that role?
Similarly, it’s impossible to imagine any other artist working on such
masterpieces as The Long Halloween
and Dark Victory. Certainly, Sale’s
partner in crime, Jeph Loeb, deserves some of the credit, but it’s Sale’s
contributions that elevate these essential Bat stories to the top of the pack.
Not only do they showcase many of Batman’s colorful rogues gallery in
unforgettable renderings, but they also add great depth and humanity to the
characters of Bruce Wayne, Jim Gordon, Harvey Dent and Dick Grayson. By
illustrating their pain and suffering with subtlety and grace, oftentimes in
just a single image, Sale proves to be a master at his craft. He is the artist
Batman deserves. Let’s hope they reunite soon.
Notable Works: The Long Halloween, Dark Victory, Haunted Knight
7) Norm Breyfogle
Breyfogle’s take on Batman manages to stradle the line of
being both classic yet also his own style all at once. His run with Alan Grant
is a classic one that holds a special place for me since it introduced us to
the underrated Scarface and the Ventriloquist (I know I’m in the minority here).
Breyfogle also got in on the Knightfall saga, ensuring that the quality would
be up to snuff for such an earthshattering event. More recently, Breyfogle has returned
to Batman’s world in the Batman Beyond series, bringing his unique talents to
the Gotham of the future.
Notable Works: Detective
Comics #583-594 , Knightfall, Batman Beyond Unlimited
6) Jim Aparo
Following the lead of Neal Adams, Aparo’s style strived for
realistic interpretations of the Dark
Knight with a great attention to detail.
Although drawing inspiration from Adams, Aparo’s Batman was not a carbon copy and
soon branched out with a style all his own, often inking and even lettering his
own work. Aparo got his start on Batman with the classic Brave and the Bold series which he worked on for over a decade.
Once that series ended, it was replaced with another landmark series in
Batman’s history, Batman and the
Outsiders which he co-created. Aparo’s most notable contributions to Batman
would come later though as he contributed to some of the most impactful stories
in Batman’s history including Death in
the Family as well as Knightfall
creating such iconic imagery as Batman cradling Jason Todd’s limp body and Bane
breaking Batman’s back, respectively. Aparo certainly made his mark in Gotham
and Batman rarely looked better under anyone else’s pencil.
Notable Works: The Brave and the Bold, Death in the Family, Knightfall
5) David Mazzuchelli
Mazzuchelli doesn’t have a ton of Bat credits to his name,
but the one he does is enough to rank him on this list. His clean, crisp style
was a perfect fit for the retelling of Batman’s origin, spotlighting the Caped
Crusader’s shadowy persona while balancing emotional beats with cinematic
flair. Mazzuchelli reteams with his Daredevil collaborator, Frank Miller, who
sticks to writing duties on this one, giving his collaborator a chance to
shine. I can’t imagine if Miller had taken this one on as an artist. I think it
would have been good, but the art here is what elevates it to the status it has
attained in the years since. This story is worth picking up for the art alone
and there’s not much more praise you can lavish on an artist than that.
Notable Works: Year One
4) Greg Capullo
Prior to Capullo’s pairing with Snyder, I had yet to read a
comic featuring his art so my only
awareness of his style was his album cover
art. As good as that was, I could never have anticipated that he would rise so
quickly in the ranks to become one of my all time favorite Batman artists. Under
his skilled pencil, Batman looks as badass as, well, Capullo! Seriously, the
guy is a beast. What these guys have created together is an all-star run that
makes up some of the best comics on the shelves today and will no doubt be
pointed to for years to come as essential reading for any Bat fan. Snyder loves
to beat up Batman throughout and Capullo makes us feel his pain, reminding us
again and again there’s a human being under the cape and cowl. Batman is a stand
out series since the dawn of the New 52 and it’s in part thanks to the stellar
artwork from this guy. I’m now a fan for life and will happily seek out his
next project after Batman but hopefully that won’t be for a good, long while.
Notable Works: Court of Owls, Death in the Family, Zero
Year
3) Jim Lee
If this were a list of the top 10 X-Men artists, Lee would probably be
number one. He redefined the X-Men in the ’90s and then when he got his shot to
interpret Batman and his foes, it was like he'd been waiting to draw them his
whole life with so many iconic images coming out of his yearlong stint on the Hush arc. Writer Jeph Loeb, known for
writing epic ensemble pieces, managed to work numerous villains into the plot,
unleashing Lee's pencils on all the major villains. Lee would later team with
Frank Miller on All-Star Batman and Robin.
Miller at his most unfiltered combined with Lee’s mainstream style makes for
such a bizzare dichotomy that I’m still kind of amazed that this even happened.
This one has to be read to be believed is all I can say.
Notable Works: Hush, All-Star Batman and Robin
2) Frank Miller
Didn't we just cover this guy in
the writer's section? Well, in addition to altering Batman’s
personality,
Miller also slapped a new coat of paint on the look of DC's most popular superhero.
Miller's take on the suit has been so popular it's appeared in animation, video
games and even serves as the inspiration for Ben Affleck's version of that
character in the latest cinematic iteration. I mean this iteration has even
been spoofed on Tiny Toons, which
obviously is the measure for when you know you’ve made it. I’d go as far as to
say that Miller’s Batman is just as widely recognized today as the Adam West
version. Various panels and splash pages from his Dark Knight series have
become so iconic and widely circulated that they are now seared into my brain.
I’ve lost count of how many times Miller’s covers for the series have been paid
homage to year after year. Not only is Miller now a filmmaker and practically a
household name in his own right (thanks to his Sin City fame) he’s also got the ear and respect of one of the most
influential directors working today in Zach Snyder, who has ripped several
pages right out of Miller’s book for Batman’s upcoming trip to the big screen. How
much more influential can you get than that?
Notable Works: The Dark Knight Returns, The Dark Knight Strikes Again
1) Neal Adams
Often times when I picture Batman in my head, it’s the Neal
Adams version that comes to mind. It is so classic and timeless that another 75
years from now, I still think it will feel fresh and exciting. Adams’
contributions to the look of Batman are an important landmark in that his
unique take ushered in a new house style for Batman at that time, not only
revitalizing the character but also creating a new blueprint for the uniform
look of an iconic superhero. His Batman leapt from the page, crackling with
life and creating a new, dynamic energy rarely seen in comics at that time. In
addition, Adams was responsible for giving readers their first look at Ra’s Al
Ghul and Man-Bat, two very distinct and innovative character designs which were
conceived during the artist’s prime. Between his pencils and O’Neil’s writing,
they formed a dream team rarely seen in comics and set a high standard for
those following in their footsteps. His most recent stint on the character, Odyssey, proves that Adams has not lost
his touch and is still one of the best living artists today.
Notable Works: Daughter of the Demon, The Joker’s Five-Way Revenge, Odyssey
Honorable mentions - Bruce Timm and Alex Ross. While Timm defined the look of Batman for my
generation, simplifying his look for animation while still remaining iconic and
recognizable. Countless fans were introduced to the Dark Knight with this
iteration and the design has aged well over two decades later (has it been that
long?) Whereas Timm simplified Batman’s look, Ross took it in the complete
opposite direction, depicting Batman and his world as being photo-realistic on
countless covers and most notably in War
on Crime, his oversized comic one-shot with Paul Dini. His depiction of
Bruce Wayne in Kingdom Come
undoubtedly had an impact on both Batman
Beyond and The Dark Knight Rises.
Special shout out to cartoonists Matt Wagner and Darwyn Cooke who prove that Frank Miller isn’t the only one capable
of writing and drawing captivating Batman stories. Wagner helped redefine
Batman’s early days of crime fighting with the one two punch of Monster Men and Mad Monk plus his Two-Face story, Faces, shows early signs of brilliance. Cooke not only captured the
spirit of Batman in Ego, he left his
mark on Catwoman as well, flashing out one of Bats’ most notorious supporting
characters. Your Batman collection will not be complete without their
contributions lining your shelf.
That wraps it up. Did I miss your favorite Batman artist? Are
my rankings way off? Leave a comment and let me know!
Friday, May 16, 2014
Animated Batman Movie Rankings, Part 2: #5 - #1
Continuing
on from Part 1, here we count down the Top 5 animated Batman movies of all
time. Will my picks match up with yours? Read on an find out!
5) Batman and Mr. Freeze: Subzero
"Come
on people! A guy in a weird suit with two polar bears can’t be too hard to spot!" - Commissioner Gordon

Batman:
Kevin Conroy
Heroes:
Robin (Dick Grayson), Batgirl, Commissioner Jim Gordon
Villains:
Mr. Freeze
4) Batman: Under the Red Hood
“I’m cleaning up Gotham. More than you ever did.” – Red Hood

Batman: Bruce Greenwood
Heroes: Nightwing, Robin (Jason Todd)
Villains: Red Hood, Joker, Black Mask, Ra’s Al Ghul,
Riddler, Amazo
3) Batman: The Dark Knight Returns
“In all the years to come, in your most private moments, I
want you to remember the one man who beat you!”
- Batman

Batman: Peter Weller
Heroes: Robin (Carrie Kelley), Catwoman, Commissioner
Gordon, Superman
Villains: Joker, Mutant Leader, Two-Face, Superman
2) Batman Beyond: Return of the Joker
“If you don’t like the movie, I’ve got slides”
– The Joker

Batman: Will Friedle
Heroes: Bruce Wayne, Commissioner Barbara Gordon, Batgirl,
Robin
Villains: The Joker, Harley Quinn, The Jokerz gang
1) Batman: Mask of the Phantasm
“Your
angel of death awaits.” – The
Phantasm

Batman:
Kevin Conroy
Villains:
The Phantasm, Joker
There you have it. I
don’t claim this to be the definitive list, but that’s how I rank them. It’s
worth noting that the Joker appears prominently in 5 of the 10 movies and that
out of those, 4 ended up in my Top 5. Does Joker instantly increase the quality
of any Batman story, or is it just a coincidence? Either way, it doesn’t seem
to hurt.
As much as I enjoyed
comic-to-screen adaptations of The Dark
Knight Returns and Under the Red Hood,
it would be nice if the direct to video line of DC Universe Animated Original
Movies would live up to their name and actually be fully original content as
opposed to just adapting the most popular DC comic stories. I’m sure it’s only
just a matter of time before they adapt such classics as The Long Halloween, Knightfall,
Hush and the more recent Court of Owls story lines, and while
those are all fantastic tales of the dark knight, I really don’t want to
experience the abridged versions. The first release under this banner was Superman: Doomsday, a truncated reworking
of the Death of Superman arc. The
execution was pretty sloppy and what could have been Part 1 of an animated
trilogy, instead resulted in a stripped down version that didn’t do the story
justice and left fans wanting.
What I’m getting at
is if a comic storyline can’t be adapted into the strict 75 minute limit that
is imposed on these movies without making major sacrifices, come up with
something new that does work within that timeframe. How about it WB?
Having said that, I’m
looking forward to the upcoming release of Batman:
Assault on Arkham this summer, which tells an original tale set in the world of the Arkham video games and I will revisit this
list at that time to see where it slots in. Until then…
How do my rankings
compare to yours? Am I totally off base and you would have liked to see
something ranked higher on the list? Let me know!
Saturday, May 3, 2014
Colorist Appreciation Week Day 5 - Alex Sinclair
One of my all time favorite comic book artists is Jim Lee. Growing up on Marvel Comics in the 90's, I was introduced to his work through his groundbreaking run on X-Men. So it comes as no surprise that frequent collaborator Alex Sinclair has turned out to be one of my favorite colorists.
His stellar work on Batman: Hush alone is enough to earn my respect, as he was given the opportunity to color a good chunk of Batman's most notable rouges which, for me, have turned out to be some of the most iconic Batman imagery of the modern era. Simply put, this guy knows how to color Gotham City and its inhabitants just right.
Whereas some artists have a stylistically minimalist style that relies on moody shadows to fill in the backgrounds of their panels, Lee has also always been very detailed, which means he sometimes gets delayed, but in my opinion, always worth the wait. But it would all be wasted effort if Sinclair didn't know how to color it to emphasize every last pencil line (special shout out to Scott Williams for the inks!) and it really enhances the art in a way that I can only describe as awesome. To get even less technical, I love that glow effect he whips out every time Batman is at his computer in the cave. Like I said, if Lee's attention to detail didn't have a colorist that could match him panel for panel, it just wouldn't work. Sinclair would probably make a good DP as he has an amazing eye for lighting. Check out the above panel with Killer Croc to see what I mean.
His take on Superman is equally impressive in that it captures the Man of Steel's iconic colors the way they should look. I said in my original post that you can't picture Superman without his red cape and yellow chest emblem (although he's ditched the red shorts), and similar to how I suggested that Dean White colors the Marvel characters the way they were meant to be colored and should be referenced by all future colorists, the same can be said about Sinclair and the way he depicts the DC superheroes. See his work on the New 52 iteration of the Justice League if you don't believe me.
One of the series where I've been most taken with Sinclair's work is on the underrated Astro City. The reason I say underrated is, unfortunately, I don't hear this series come up on conversation enough as a must-read, but I think it's one of the best takes on superheroes that I've ever witnessed. But before this turns into a "Why Astro City Deserves More Recognition" rant, the coloring on this book is so consistently good! Furthermore, these are not heroes whose look had been defined for decades prior to Sinclair trying his hand at them so he's really able to make their look his own. I'm thrilled that when Vertigo revived the series, they they brought back the key creative players, including artist Brent Anderson, whose work I don't see nearly often enough, and if for whatever reason, Sinclair wasn't available to join the party, Astro City would have lost one of its key architects. The coloring on this series is some of the best I've ever seen and every color pops right off the page. In some ways it reminds me of Lynn Varley's work on The Dark Knight Strikes Again, another of the most colorful superhero books that I've ever laid eyes on.
If you've never read Astro City, do yourself a favor and pick it up. Come for the unique perspective on superheroes in a universe that's all its own, stay for the killer artwork and some of the most brilliant use of colors that you'll ever seen in a comic.
You can find more of Alex Sinclair's work here.
That's going to wrap it up for #ColoristAppreciationWeek. I enjoyed feasting my eyes on some incredible art and figuring out what I liked about each colorist best. Who are some of your favorite colorists? I'd love to know who else deserves a look so feel free to leave me a comment!
Until then, I leave you with this...
![]() | |
Art by Jim Lee |
Whereas some artists have a stylistically minimalist style that relies on moody shadows to fill in the backgrounds of their panels, Lee has also always been very detailed, which means he sometimes gets delayed, but in my opinion, always worth the wait. But it would all be wasted effort if Sinclair didn't know how to color it to emphasize every last pencil line (special shout out to Scott Williams for the inks!) and it really enhances the art in a way that I can only describe as awesome. To get even less technical, I love that glow effect he whips out every time Batman is at his computer in the cave. Like I said, if Lee's attention to detail didn't have a colorist that could match him panel for panel, it just wouldn't work. Sinclair would probably make a good DP as he has an amazing eye for lighting. Check out the above panel with Killer Croc to see what I mean.
![]() |
Art by Jim Lee, pencils to final colors |
![]() |
Art by Jim Lee |
![]() |
Art by Brent Anderson |
One of the series where I've been most taken with Sinclair's work is on the underrated Astro City. The reason I say underrated is, unfortunately, I don't hear this series come up on conversation enough as a must-read, but I think it's one of the best takes on superheroes that I've ever witnessed. But before this turns into a "Why Astro City Deserves More Recognition" rant, the coloring on this book is so consistently good! Furthermore, these are not heroes whose look had been defined for decades prior to Sinclair trying his hand at them so he's really able to make their look his own. I'm thrilled that when Vertigo revived the series, they they brought back the key creative players, including artist Brent Anderson, whose work I don't see nearly often enough, and if for whatever reason, Sinclair wasn't available to join the party, Astro City would have lost one of its key architects. The coloring on this series is some of the best I've ever seen and every color pops right off the page. In some ways it reminds me of Lynn Varley's work on The Dark Knight Strikes Again, another of the most colorful superhero books that I've ever laid eyes on.
If you've never read Astro City, do yourself a favor and pick it up. Come for the unique perspective on superheroes in a universe that's all its own, stay for the killer artwork and some of the most brilliant use of colors that you'll ever seen in a comic.
You can find more of Alex Sinclair's work here.
That's going to wrap it up for #ColoristAppreciationWeek. I enjoyed feasting my eyes on some incredible art and figuring out what I liked about each colorist best. Who are some of your favorite colorists? I'd love to know who else deserves a look so feel free to leave me a comment!
Until then, I leave you with this...
![]() |
Once again, art by Jim Lee. This one hangs on my wall printed on canvas. Beautiful! |
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